A week has gone by since tickets to Marilyn Manson's summer tour went on sale, and fans are generally very excited to see him perform live again. And even though various accusers, their supporters, and media outlets have tried canceling him from any comeback due to the coordinated hoax against him, having done all they can to prevent him from ever having a music career again, branding him as a rapist, a pedophile, a murderer, a Nazi, a racist, a cult leader, and pretty much anything else to falsely twist his art and smear his image and destroy him, what we have just experienced this past week, right before the spring equinox tomorrow and the resurrectional atmosphere of the Easter season upon us, is Manson's own resurrection from what could simply be described as a dead career, after being crucified with false accusations. Remarkably, despite the absolutely relentless campaign to destroy him over the past three years, where they left him dead in the tomb of obscurity, he has
Marilyn Manson in the News (January 24-30, 2022) - Phoenix Rising News, Updates on the Ashley Walters Case, and a New Marilyn Manson Website
Media Response to Phoenix Rising After Phoenix Rising premiered at the Sundance Film Festival on January 23rd, the reviews starting pouring in, and to no ones surprise the critics loved it. Evan is portrayed as brave and courageous for coming forward, while readers are encouraged to be disturbed while watching how Hollywood has protected celebrities to incur such abuse on women. They must not have been watching the same documentary I watched, because the one directed by Amy Berg was an absolute disaster of a documentary, that should only be shown at midnight showings of independent theaters along with The Room and Cats as movies that are so bad that when collectively seen together by an audience it becomes the source of laughter and mockery. I'm being too generous, because The Room is actually a masterpiece compared to this documentary. If I were to highlight one review of the many, it would be the short review by Kevin Maher for The Times . In fact, it is so short, that I w