Marilyn Manson Uncanceled

Ashley Walters’ lawsuit against Marilyn Manson has now been given a date for a civil jury trial. At a Case Management Conference held on August 12th 2026 in Los Angeles Superior Court, Judge Steve Cochran scheduled the trial for November 15, 2027, at 9:00 a.m. in Department 306 at the Stanley Mosk Courthouse. The court also scheduled a Final Status Conference for November 10, 2027. How We Got Here The case has been through several rounds of dismissal and revival since Walters first sued Manson in 2021. Most recently, Judge Cochran allowed the lawsuit to proceed under California’s newly enacted Assembly Bill 250, and in June rejected the defense’s attempt to have Walters’ amended complaint dismissed. At that hearing, the judge said it was too early to make a final determination and that the case should move forward while the parties gathered evidence. Manson’s attorney Howard King described the ruling as an expected procedural step and said the defense would have the opportunity to purs...

“The Tailor” is a dark, collaborative track by Billy Morrison featuring guest vocals and lyrics from Marilyn Manson. Released on August 7, 2026, the song is part of Morrison's album Hollow and features brooding, garment-themed lyrics paired with heavy rock compositions. This track was released one week before One Assassination Under God – Chapter 2 , out next Friday (August 14th). Through vivid imagery like a "costume made of wounds" and "hemming veins," the track illustrates how people build protective public personas out of their past pain, eventually adapting to their suffering so perfectly that it becomes entirely hidden from the outside world. This intimate struggle with internalized trauma ultimately shifts into a broader critique of modern society, where humanity hides its corrupt, "crooked minds" behind superficial, "perfect" smiles while passively marching toward its own destruction.   Lyrics to "The Tailor" Ah, ah, ah, ah...

  A Different Kind of Comeback At first glance, Henri Alexander Lévy's music video for Marilyn Manson's "Front Toward Enemy" appears surprisingly restrained. Considering the title and the confrontational tone of the song, one might reasonably expect a visual statement built around warfare, retaliation, or public vindication. Instead, the music video repeatedly turns away from those expectations. It lingers on a child dressed in military attire, a motionless body on an examination table, shelves of psychology books, childhood trophies, playground equipment, and a cabinet filled with carefully arranged artifacts. None of these images directly illustrates the lyrics, yet none of them feels arbitrary. By the time the music video ends, it becomes clear that Lévy is asking the viewer to consider something more complicated than revenge. That immediately distinguishes the video from the song itself. Borrowing its title from the M18A1 Claymore mine, whose front face bears th...

Marilyn Manson has officially released "Front Toward Enemy" across global streaming platforms. The track serves as the second single from his upcoming album, One Assassination Under God – Chapter 2 , due August 14 via Nuclear Blast Records. For casual listeners, it's a welcome return to the aggressive industrial metal that defined Manson's mid-'90s peak. For longtime fans, however, today's release feels like long-awaited vindication. To understand why, you have to go back to late 2024. When Manson ended his four-year public silence with One Assassination Under God – Chapter 1 , he also released the highly limited "Raise the Red Flag" maxi-CD. Hidden on that disc was an exclusive B-side titled in all caps: "FRONT TOWARD ENEMY." For more than a year, the song became something of a holy grail among collectors. Many fans believed it was simply too abrasive to fit the dark, introspective atmosphere of Chapter 1 , and speculation grew that it...

Below is part two of my previous article:  How Marilyn Manson's Upcoming Concert in Ferrara Became Italy's Most Controversial Cultural Event .   For nearly three months, Marilyn Manson's scheduled appearance at the Ferrara Summer Festival was discussed less as a concert than as a cultural battleground. What began in April with an offhand remark by Mayor Alan Fabbri during a radio interview quickly grew into one of Italy's most unusual public controversies, drawing in city officials, the Archdiocese of Ferrara-Comacchio, the Sisters of Charity of St. Vincent de Paul, politicians, journalists, and commentators across the country. By the time July 11 arrived, the debate had become as much about religion, politics, and artistic freedom as it was about music. Yet when the evening finally came, something unexpected happened. The controversy largely disappeared. Instead of headlines dominated by protests or confrontation, Ferrara witnessed exactly what the city had spent month...