“None of the Suns” is the most explicitly post-punk and gothic song on One Assassination Under God – Chapter 2 . Its imagery seems almost designed for that genre: demons, blood, darkness, blackness, angels, Heaven, and the disappearance of daylight. Yet the song becomes much more interesting when those images are placed alongside Manson's own explanation of it. He has connected the song to his love of post-punk and goth music, but also to his fascination with Lewis Carroll and Carroll's relationship with nighttime. Manson has described “outrunning daylight” as a way of cheating death, which gives the night a meaning beyond gothic atmosphere. He has also cited Federico Fellini's Toby Dammit as an inspiration for the atmosphere of the song. The painting accompanying the song, which Manson calls “We're in the Black Now,” is his own image caught somewhere between day and night. That may be the most useful place to begin with the song, because the darkness here does not s...
“All the Vilest Things” initially sounds like a song about retaliation. The speaker has been attacked, wounded, and subjected to things that were intended to destroy him, and much of the language is deliberately violent. Yet Manson's own explanation points in a different direction. He describes the song as being about “balancing your resentments” and determining the proper measure of punishment in matters of war. More importantly, he says that the song provides “a real balance to the idea of vengeance.” The lyrics suggest that this balance comes from recognizing the damage that has been done without allowing the desire for revenge to become the thing that defines what happens next. The opening establishes the situation immediately: “You tried your best To destroy me I don't want revenge Because you only Made me stronger.” There is no attempt to minimize what happened. The speaker acknowledges that someone genuinely tried to destroy him. What changes is his response t...