There is a point in One Assassination Under God – Chapter 2 where the language of survival finally becomes the language of retaliation. “The Arsonist” is that point. The song is not simply about having survived an attempt to destroy you. It is about what happens afterward, when the person who has been burned decides that the fire did not finish him and that the scars it left behind have become part of his strength. Manson himself described the song as the moment when the narrative of the two chapters “crystallizes into a battle stance,” and, referring to the painting he created for it, said that the “burned scar tissue” had formed into armor. That description gets very close to the heart of the song. The fire has not disappeared. It has changed him. The title is important because Manson does not call the song The Survivor or The Victim . He calls it "The Arsonist." An arsonist deliberately starts a fire, and this changes the entire perspective of the song. The speaker is no...
I. The Backlash: When Social Media Becomes the Story When Slipknot announced their 2027 (sic)est Stadium Tour , with Marilyn Manson opening the Wembley Stadium show and joining them for the South American dates, including The Town in São Paulo, the reaction was almost immediate. Thousands of comments appeared beneath the announcement, many from people saying they would no longer attend. Some described the decision as disappointing, others said they would not spend money on a concert that included Manson, and some presented the booking as a betrayal of what they believed Slipknot represented. The reaction was real, and there is no reason to pretend otherwise. What interests me, however, is what happens after that initial reaction: how it is collected, amplified, repeated by music publications, and gradually transformed from a collection of individual responses into something that can begin to look like a universal verdict from “the fans.” The current coverage makes that process fairly e...