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EXIT WOUND: Marilyn Manson and the Godforsaken One

(When "Exit Wound" was released as a single, before Chapter 2 was released and prior to Manson releasing the artwork and commentary that accompany the song, I wrote my initial thoughts about it, titled " The Scar Left After the Spectacle: Marilyn Manson Releases New Single and Announces New Album ." Without repeating too much of what was written there, the following was written in light of the new information provided with the release of the whole album.) An exit wound is the mark left by something that has passed through the body. It is evidence of an injury, but also of movement: something entered, passed through, and left its mark behind. In Marilyn Manson's “Exit Wound,” the image takes on a much larger meaning. The speaker does not merely describe himself as someone who has been wounded. He identifies himself with the wound itself: “You shot the world I am the exit wound.” It is a strange identification. The speaker is not simply the victim of an attack; he...
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THE ARSONIST: Marilyn Manson and the Final Reckoning

There is a point in One Assassination Under God – Chapter 2 where the language of survival finally becomes the language of retaliation. “The Arsonist” is that point. The song is not simply about having survived an attempt to destroy you. It is about what happens afterward, when the person who has been burned decides that the fire did not finish him and that the scars it left behind have become part of his strength. Manson himself described the song as the moment when the narrative of the two chapters “crystallizes into a battle stance,” and, referring to the painting he created for it, said that the “burned scar tissue” had formed into armor. That description gets very close to the heart of the song. The fire has not disappeared. It has changed him. The title is important because Manson does not call the song The Survivor or The Victim . He calls it "The Arsonist." An arsonist deliberately starts a fire, and this changes the entire perspective of the song. The speaker is no...

Beyond the Backlash: Marilyn Manson, Slipknot, and Metal's Changing Audience

I. The Backlash: When Social Media Becomes the Story When Slipknot announced their 2027 (sic)est Stadium Tour , with Marilyn Manson opening the Wembley Stadium show and joining them for the South American dates, including The Town in São Paulo, the reaction was almost immediate. Thousands of comments appeared beneath the announcement, many from people saying they would no longer attend. Some described the decision as disappointing, others said they would not spend money on a concert that included Manson, and some presented the booking as a betrayal of what they believed Slipknot represented. The reaction was real, and there is no reason to pretend otherwise. What interests me, however, is what happens after that initial reaction: how it is collected, amplified, repeated by music publications, and gradually transformed from a collection of individual responses into something that can begin to look like a universal verdict from “the fans.” The current coverage makes that process fairly e...

LUCIFER’S TEARDROP: Marilyn Manson and the Search for Home

Throughout One Assassination Under God – Chapter 2 , Marilyn Manson constructs a dark journey through death, violence, accusation, isolation, mortality, and the search for something beyond him. “Don’t Answer the Door” speaks of a voice being a guiding light in the darkness, while “None of the Suns” speaks of running away from the daylight and being “in the black.” By the time we arrive at “Lucifer’s Teardrop,” the journey has reached a different point. The darkness is still present, but the speaker is finally prepared to stand before what shines. “Lucifer’s Teardrop” is therefore less a departure from everything that came before it than a turning point within it. The fallen angel at the center of the song has been cast out, wounded, and changed by what happened to him, but he is no longer simply defined by the fall. He is “finding my way home.” That movement becomes especially important when considered alongside Manson’s own explanation of the song. He said that its title was inspired...