Since Marilyn Manson returned to the stage in the summer of 2024 with the One Assassination Under God tour, pulsating illuminated upside-down double crosses have been a consistent part of the stage design. The double cross itself is nothing new in Manson's work. It has been part of his imagery for many years and became particularly prominent again after the Heaven Upside Down era. What is new since 2024 is the way the symbol has been incorporated into the lighting of the performance. Rather than functioning simply as a static emblem, the crosses now pulsate and change as part of the stage itself, becoming one of the most noticeable elements of every concert. Manson's return to the stage has also involved bringing back many features and images from earlier periods of his career, which has naturally given the performances a nostalgic quality for longtime fans. What interests me for this analysis, however, is what has actually been added during this new period that has not be...
As reported on August 12th 2024, Senator Susan Rubio along with other women, including Esme Bianco, held a press conference to try to get the Phoenix Act 2.0 (SB-690) passed in California. One news report from KTLA 5, which was shared by Rubio, Bianco and Evan Rachel Wood (upon her return to Instagram), interviewed both Rubio and Bianco on what they shared in their press conference. Interestingly, the news report in all fairness also talked about how there is active opposition to having the Phoenix Act 2.0 passed by the Califonia Public Defenders Association, the largest organization of criminal defense attorneys in the State of California. They argue that the statute of limitations is in place because it gives both the accuser and the accused the best possible chances for both sides to present their evidence and for justice to be served, while extending the statute of limitations limits the opportunity for both sides to present their evidence since so much time has passed from the inc...