A little over a week ago I wrote about a significant partial dismissal granted to Marilyn Manson on July 2nd in the lawsuit issued by Bianca Allaine Kyne. First, it stated that Manson's motion to dismiss all allegations in Kyne's complaint referencing sexual abuse as a minor in 1995 when she was 16 years old was granted. Second, any reference to Kyne's own personal drawings of Manson from when she was 16 are to be removed. Third, Kyne is therefore ordered to make a Second Amended Complaint within 30 days removing all of the above. Despite this significant victory of Marilyn Manson in managing to get a partial dismissal in this case, on July 15th Bianca Allaine Kyne and her lawyer Jeff Anderson decided to issue statements spinning their loss into a victory. They argue that since Manson was not granted a full dismissal (which he was not seeking), then he lost and they won in this particular ruling. What Was the Ruling on July 2nd? When you read the ruling issued on July
One of the noteworthy contributions of Marilyn Manson, especially in the first twenty years of his career, is helping to bring underground taboo exploration through transgressive controversial art into the mainstream. He did this at a time when there was a resurgence in transgressive taboo exploration, beginning around the late 1990's, but no one brought it to mainstream audiences like Marilyn Manson, which was part of the initial shock of his persona. One could say it was the foundation upon which his career was built and it was the means by which he would continually reinvent himself. The list is too long to explore this in detail, but we see it beginning with his very name, taking the first name of a woman and the last name of killer and bringing together opposites. We also see it in his first major hit with his cover of the 80's dance hit 'Sweet Dreams' by the Eurythmics, in which he explores its dark lyrics without changing a word and gives it a sleazy, creepy BDSM