According to Rolling Stone (which purposefully posted a photo of Manson from the last decade looking defeated), Ashley Walters, who was Marilyn Manson's personal assistant from 2010 to 2011, and whose case against him was revived upon appeal in December 2023, is now set to get a trial against her former boss, with a jury trial set to begin June 2, 2025. Apparently there was an attempt to resolve the case through mediation in December 2023, but according to Walters’ lawyer, James Vagnini, the parties were “not successful at resolving the case.” “We are happy that the delays are behind us and that we will have an opportunity to depose Mr. Warner and present all the facts to a jury next year,” Walters’ lawyer James Vagnini said in a statement to Rolling Stone . “We are confident they will acknowledge the harm done to Ms. Walters and deliver a resounding message to all survivors of such terrible abuse.” There has been no comment as of yet from Manson's team, but he has denied &q
27 years ago, in an interview with Rolling Stone (March 6, 1997), Trent Reznor gave a good summary of what Marilyn Manson brought back to the music scene in the 1990's, which not only made him a controversial and misunderstood figure, but unique and successful as well.
When I was growing up, rock & roll helped give me my sense of identity, but I had to search for it. I remember I loved the Clash, but I was an outcast because you were supposed to like Journey. Before that, I loved Kiss. The thing these bands gave me was invaluable - that whole spirit of rebellion. Rock & roll should be about rebellion. It should piss your parents off, and it should offer some element of taboo. It should be dangerous, you know? But I'm not sure it really is dangerous anymore. Now, thanks to MTV and radio, rock & roll gets pumped into your house every second of every day. Being a rock & roll star has become as legitimate a career option as being an astronaut or a policeman or a fireman. That's why I applaud - even helped create - bands like Marilyn Manson. The shock-rock value. I think it's necessary. Death to Hootie and the Blowfish, you know. It's safe. It's legitimate.
Look at Marilyn Manson: They have no qualms about taking that whole thing on. The scene needs that, you know? It doesn't need another Pearl Jam-rip-off band. It doesn't need the politically correct R.E.M.s telling us, "We don't eat meat." Fuck you to all that. We need someone who wants to say, "You know what? I jack off 10 times a night, and I fuck groupies." It's not considered safe to say that now, but rock shouldn't be safe. I'm not saying I adhere wholeheartedly to all that in my own lifestyle, but I think that's the aesthetic we need right now. There needs to be some element of anarchy or something that dares to be different.