Since Marilyn Manson returned to the stage in the summer of 2024 with the One Assassination Under God tour, pulsating illuminated upside-down double crosses have been a consistent part of the stage design. The double cross itself is nothing new in Manson's work. It has been part of his imagery for many years and became particularly prominent again after the Heaven Upside Down era. What is new since 2024 is the way the symbol has been incorporated into the lighting of the performance. Rather than functioning simply as a static emblem, the crosses now pulsate and change as part of the stage itself, becoming one of the most noticeable elements of every concert. Manson's return to the stage has also involved bringing back many features and images from earlier periods of his career, which has naturally given the performances a nostalgic quality for longtime fans. What interests me for this analysis, however, is what has actually been added during this new period that has not be...
Love and Rockets Concert Poster from March 1996 In the journal section of Marilyn Manson's autobiography The Long Hard Road Out Of Hell , he describes his first meeting with the band members of Bauhaus and Love and Rockets - Daniel Ash, Kevin Haskins and David J. It is dated January 29, 1997 and says it was written in San Diego at 7 A.M. It is an interesting description of their first meeting. It basically begins with Daniel Ash wanting to hang out with Manson, Manson showing hospitality to his guests and musical idols, and him kissing Manson's ass and wanting to remix a Manson song. But then Daniel Ash takes a 180 turn out of nowhere and starts making accusations against Manson based on rumors and tells him his career is going nowhere. Manson seemed to be very disappointed with the fact that a musical idol of his turned on him over a bunch of false rumors that he was a devil worshiper and rape advocate. When you read this in light of the accusations brought against Manson to...