Since Marilyn Manson returned to the stage in the summer of 2024 with the One Assassination Under God tour, pulsating illuminated upside-down double crosses have been a consistent part of the stage design. The double cross itself is nothing new in Manson's work. It has been part of his imagery for many years and became particularly prominent again after the Heaven Upside Down era. What is new since 2024 is the way the symbol has been incorporated into the lighting of the performance. Rather than functioning simply as a static emblem, the crosses now pulsate and change as part of the stage itself, becoming one of the most noticeable elements of every concert. Manson's return to the stage has also involved bringing back many features and images from earlier periods of his career, which has naturally given the performances a nostalgic quality for longtime fans. What interests me for this analysis, however, is what has actually been added during this new period that has not be...
May 9 - Anti-SLAPP Rulings Revealed and Why Marilyn Manson Has a Strong Case for an Appeal Anti-SLAPP laws work by putting more burden than usual on defamed plaintiffs like Manson, forcing them to clearly show at the outset that their case is legitimate. In California, the reason strict anti-SLAPP laws exist is because they have so many cases to go through, and it helps to alleviate the pressure of the courts by making cases less time consuming by eliminating certain aspects of a claim before they go to discovery. The major drawback of this is that a plaintiff must enter the case with all their evidence in hand when it comes to defamation claims even before discovery can be conducted. Thus, it makes it almost impossible for a defamation claim to pass into the discovery portion of the case unless the unquestionable evidence already clearly exists. In some cases, like Manson's, the intentional infliction of emotional distress claim can also be part of the anti-SLAPP. Summary of the...