Since Marilyn Manson returned to the stage in the summer of 2024 with the One Assassination Under God tour, pulsating illuminated upside-down double crosses have been a consistent part of the stage design. The double cross itself is nothing new in Manson's work. It has been part of his imagery for many years and became particularly prominent again after the Heaven Upside Down era. What is new since 2024 is the way the symbol has been incorporated into the lighting of the performance. Rather than functioning simply as a static emblem, the crosses now pulsate and change as part of the stage itself, becoming one of the most noticeable elements of every concert. Manson's return to the stage has also involved bringing back many features and images from earlier periods of his career, which has naturally given the performances a nostalgic quality for longtime fans. What interests me for this analysis, however, is what has actually been added during this new period that has not be...
In this video, Martin DeCoder examines The Extreme Manipulation in ‘Phoenix Rising’ | Evan Rachel Wood vs. Marilyn Manson. How does the docuseries ‘Phoenix Rising’ create sympathy for Evan Rachel Wood, and what does this tell us about the reliability of Wood’s allegations against Marilyn Manson? These are the questions that this in-depth film and language analysis will answer by looking at the trailer to the docuseries. Link to his previous analyses of this case are linked below: Are Evan Rachel Wood’s Allegations Against Marilyn Manson Reliable? | The View Interview Analysis What Evan Rachel Wood Didn’t Want You to Notice | The Daily Show Interview Analysis