Since Marilyn Manson returned to the stage in the summer of 2024 with the One Assassination Under God tour, pulsating illuminated upside-down double crosses have been a consistent part of the stage design. The double cross itself is nothing new in Manson's work. It has been part of his imagery for many years and became particularly prominent again after the Heaven Upside Down era. What is new since 2024 is the way the symbol has been incorporated into the lighting of the performance. Rather than functioning simply as a static emblem, the crosses now pulsate and change as part of the stage itself, becoming one of the most noticeable elements of every concert. Manson's return to the stage has also involved bringing back many features and images from earlier periods of his career, which has naturally given the performances a nostalgic quality for longtime fans. What interests me for this analysis, however, is what has actually been added during this new period that has not be...
It is my intention to explore the Marilyn Manson album One Assassination Under God - Chapter 1 in its entirety, one track and music video at a time. There are two things I want to establish before I begin: 1. I believe the album takes place in the Holy Wood "universe", which Manson described as an "alternate dystopia of Hollywood where everything is taken to the extreme," and which was first explored in Antichrist Superstar , Mechanical Animals and Holy Wood - the so-called Tryptich - and continued to pop up on other albums. 2. I also believe that the album is a metaphor which can be applied to Manson's life, but not only. This also aligns it with what the Tryptich essentially is as well. My thoughts for the interpretation of the album will probably evolve over time, especially since this is only the first half of the story, as Manson mentioned in a statement, and we will have a much clearer picture of the entire story when Chapter 2 is released some time in ...