Since Marilyn Manson returned to the stage in the summer of 2024 with the One Assassination Under God tour, pulsating illuminated upside-down double crosses have been a consistent part of the stage design. The double cross itself is nothing new in Manson's work. It has been part of his imagery for many years and became particularly prominent again after the Heaven Upside Down era. What is new since 2024 is the way the symbol has been incorporated into the lighting of the performance. Rather than functioning simply as a static emblem, the crosses now pulsate and change as part of the stage itself, becoming one of the most noticeable elements of every concert. Manson's return to the stage has also involved bringing back many features and images from earlier periods of his career, which has naturally given the performances a nostalgic quality for longtime fans. What interests me for this analysis, however, is what has actually been added during this new period that has not be...
Let's take another look at Marilyn Manson's infamous Spin interview from June 2009, specifically when he says the following: "My lowest point was Christmas Day 2008, because I didn’t speak to my family. My walls were covered in scrawlings of the lyrics and cocaine bags nailed to the wall. And I did have an experience where I was struggling to deal with being alone and being forsaken and being betrayed by putting your trust in one person, and making the mistake of that being the wrong person. And that’s a mistake that everyone can relate to. I made the mistake of trying to, desperately, grasp on and save that and own it. And every time I called her that day — I called 158 times — I took a razorblade and I cut myself on my face or on my hands. I look back and it was a really stupid thing to do. This was intentional, this was a scarification, and this was like a tattoo. I wanted to show her the pain she put me through. It was like, 'I want you to physically see what you’...