After Marilyn Manson's October 26th show in Brighton was canceled due to a few annoying male feminist moralizers who pressured Green Party members of the City Council, which owned the venue there, the only other real possible chance of another Manson show being canceled in England during his originally six scheduled tour dates was in Nottingham. This is because the Nottingham Motorpoint Arena is also owned by the City Council, though in Nottingham the Council is mainly dominated by the slightly less liberal Labour Party, if that makes any difference. The other four venues of the original six do not have this setup, so there is much less of a chance those will be canceled. Naturally, therefore, the male feminist fascist losers of Male Allies Challenging Sexism who want to control the purity standards of pristine England have focused their sites on Nottingham and pressuring the Council members to cancel the gig there. The concert at Motorpoint Arena in Nottingham is scheduled for Nov...
Marilyn Manson in the News (January 24-30, 2022) - Phoenix Rising News, Updates on the Ashley Walters Case, and a New Marilyn Manson Website
Media Response to Phoenix Rising After Phoenix Rising premiered at the Sundance Film Festival on January 23rd, the reviews starting pouring in, and to no ones surprise the critics loved it. Evan is portrayed as brave and courageous for coming forward, while readers are encouraged to be disturbed while watching how Hollywood has protected celebrities to incur such abuse on women. They must not have been watching the same documentary I watched, because the one directed by Amy Berg was an absolute disaster of a documentary, that should only be shown at midnight showings of independent theaters along with The Room and Cats as movies that are so bad that when collectively seen together by an audience it becomes the source of laughter and mockery. I'm being too generous, because The Room is actually a masterpiece compared to this documentary. If I were to highlight one review of the many, it would be the short review by Kevin Maher for The Times . In fact, it is so short, tha...