Since Marilyn Manson returned to the stage in the summer of 2024 with the One Assassination Under God tour, pulsating illuminated upside-down double crosses have been a consistent part of the stage design. The double cross itself is nothing new in Manson's work. It has been part of his imagery for many years and became particularly prominent again after the Heaven Upside Down era. What is new since 2024 is the way the symbol has been incorporated into the lighting of the performance. Rather than functioning simply as a static emblem, the crosses now pulsate and change as part of the stage itself, becoming one of the most noticeable elements of every concert. Manson's return to the stage has also involved bringing back many features and images from earlier periods of his career, which has naturally given the performances a nostalgic quality for longtime fans. What interests me for this analysis, however, is what has actually been added during this new period that has not be...
Throughout his career, Marilyn Manson has been asked by various interviewers about things he regrets, and in lyrics of his songs he has talked about both regretting and not regretting, but the last time he was asked about his regrets was in 2019, in an interview for the German magazine Numero Homme Berlin (Spring/Summer 2019) for which he graced the cover. I translated his response below: Sina Braetz: Looking back, what do you regret most about your life? Marilyn Manson: I regret that I was naive enough to let people believe that my kindness was weakness and that I allowed them to take advantage of it. Many people believed that I was actually stupid or naive because I was so friendly and they betrayed me. But that was my fault, not theirs. That's why I regret not having been competent enough to understand that my desire to have companionable friendship - or whatever you want to call it - to have friends or family, made me make a lot of mistakes that I wish I hadn't made. Bu...