After Marilyn Manson's October 26th show in Brighton was canceled due to a few annoying male feminist moralizers who pressured Green Party members of the City Council, which owned the venue there, the only other real possible chance of another Manson show being canceled in England during his originally six scheduled tour dates was in Nottingham. This is because the Nottingham Motorpoint Arena is also owned by the City Council, though in Nottingham the Council is mainly dominated by the slightly less liberal Labour Party, if that makes any difference. The other four venues of the original six do not have this setup, so there is much less of a chance those will be canceled. Naturally, therefore, the male feminist fascist losers of Male Allies Challenging Sexism who want to control the purity standards of pristine England have focused their sites on Nottingham and pressuring the Council members to cancel the gig there. The concert at Motorpoint Arena in Nottingham is scheduled for Nov...
One of the noteworthy contributions of Marilyn Manson, especially in the first twenty years of his career, is helping to bring underground taboo exploration through transgressive controversial art into the mainstream. He did this at a time when there was a resurgence in transgressive taboo exploration, beginning around the late 1990's, but no one brought it to mainstream audiences like Marilyn Manson, which was part of the initial shock of his persona. One could say it was the foundation upon which his career was built and it was the means by which he would continually reinvent himself. The list is too long to explore this in detail, but we see it beginning with his very name, taking the first name of a woman and the last name of killer and bringing together opposites. We also see it in his first major hit with his cover of the 80's dance hit 'Sweet Dreams' by the Eurythmics, in which he explores its dark lyrics without changing a word and gives it a sleazy, creepy BDSM...