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Esme Bianco Has Politicized the Marilyn Manson Investigation

  As mentioned in my previous post , Los Angeles District Attorney George Gascon issued a peculiar statement on October 9th updating people on the criminal investigation of Marilyn Manson by his office. In the statement it was revealed that "our office’s Sex Crimes Division are carefully reviewing new leads and additional evidence that continue to come to our attention from the Los Angeles County Sheriff Department’s investigation." He also informed us that they "anticipate making a filing decision soon and will provide an update when that time comes." The problem with this is that George Gascon is in danger of losing his position to his opposing candidate, former U.S. Assistant Attorney General Nathan Hochman, who is running as an Independent. Los Angeles residents have realized that progressive policies on criminal justice make things worse for their city, and it appears that a change is just weeks away at the November 5th election. Will we finally be getting the

Rebellion, Taboo and Danger: The Aesthetic of Marilyn Manson


27 years ago, in an interview with Rolling Stone (March 6, 1997), Trent Reznor gave a good summary of what Marilyn Manson brought back to the music scene in the 1990's, which not only made him a controversial  and misunderstood figure, but unique and successful as well.

When I was growing up, rock & roll helped give me my sense of identity, but I had to search for it. I remember I loved the Clash, but I was an outcast because you were supposed to like Journey. Before that, I loved Kiss. The thing these bands gave me was invaluable - that whole spirit of rebellion. Rock & roll should be about rebellion. It should piss your parents off, and it should offer some element of taboo. It should be dangerous, you know? But I'm not sure it really is dangerous anymore. Now, thanks to MTV and radio, rock & roll gets pumped into your house every second of every day. Being a rock & roll star has become as legitimate a career option as being an astronaut or a policeman or a fireman. That's why I applaud - even helped create - bands like Marilyn Manson. The shock-rock value. I think it's necessary. Death to Hootie and the Blowfish, you know. It's safe. It's legitimate.

Look at Marilyn Manson: They have no qualms about taking that whole thing on. The scene needs that, you know? It doesn't need another Pearl Jam-rip-off band. It doesn't need the politically correct R.E.M.s telling us, "We don't eat meat." Fuck you to all that. We need someone who wants to say, "You know what? I jack off 10 times a night, and I fuck groupies." It's not considered safe to say that now, but rock shouldn't be safe. I'm not saying I adhere wholeheartedly to all that in my own lifestyle, but I think that's the aesthetic we need right now. There needs to be some element of anarchy or something that dares to be different.
 
 

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