Since Marilyn Manson returned to the stage in the summer of 2024 with the One Assassination Under God tour, pulsating illuminated upside-down double crosses have been a consistent part of the stage design. The double cross itself is nothing new in Manson's work. It has been part of his imagery for many years and became particularly prominent again after the Heaven Upside Down era. What is new since 2024 is the way the symbol has been incorporated into the lighting of the performance. Rather than functioning simply as a static emblem, the crosses now pulsate and change as part of the stage itself, becoming one of the most noticeable elements of every concert. Manson's return to the stage has also involved bringing back many features and images from earlier periods of his career, which has naturally given the performances a nostalgic quality for longtime fans. What interests me for this analysis, however, is what has actually been added during this new period that has not be...
It's not often you hear from former techs and musicians that worked for Marilyn Manson talking about their past experiences. The only past tech for Marilyn Manson that we heard from recently was Dan Cleary, a podcaster who liked to exaggerate a bunch of nonsense and spread gossip about Manson in the guise of his commitment to support all women who make allegations. Not long ago, however, The Manson Podcast was able to catch up in their eighth episode with former drum tech and later drummer for Marilyn Manson, Daniel Fox, who was involved with the band from 2012 till 2018, which is a controversial period for Manson as far as the allegations are concerned. Daniel Fox grew up as a fan of Manson before he joined the band and has never wavered in his support for Manson since leaving the band and throughout the period of the accusations against him in 2021. His honest and positive memories of being in the band are refreshing and a must listen.
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LISTEN HERE